RSVP to our next Coffee Gathering: Differentiating Visual Arts Administration and Museum Studies Programs

On Thursday, February 6 at 2pm (EST) we will be online with Bruce J. Altshuler, Director and Professor of Museum Studies at New York University and Sandra Lang, Director and Professor of Visual Arts Administration at New York University to discuss their respective programs. Joining them will be Visual Arts Administration student Laura Busby and Museum Studies student Olivia Knauss.

Bruce Altshuler is Director of the Program in Museum Studies in the Graduate School of Arts and Science at New York University. He has held positions at the New-York Historical Society, Zabriskie Gallery, Christie’s Education, and as Director of the Isamu Noguchi Garden Museum.  He is the author of The Avant-Garde in Exhibition: New Art in the 20th Century, Isamu Noguchi, Salon to Biennial: Exhibitions that Made Art History, 1863-1959, Biennials and Beyond: Exhibitions that Made Art History, 1962-2002, editor of Collecting the New: Museums and Contemporary Art  and co-editor of Isamu Noguchi: Essays and Conversations.  Altshuler has published extensively and lectured internationally about exhibition and curatorial history, the history of museums, and modern and contemporary art.  He has been a member of the graduate faculty of the Bard Center for Curatorial Studies, and the Board of Directors of the International Association of Art Critics/United States Section (AICA/USA).

Sandra (Sandy) Lang is the Program Director of the M.A. in Visual Arts Administration and Clinical Associate Professor. A leading expert in the history of corporate collecting in the United States, Sandy was the longtime Director of The Museum of Modern Art’s Art Advisory Service, advising corporations on acquisitions and maintaining an extensive network of CEOs, senior officials, and art curators from many institutions. Sandy is also a past Executive Director of Independent Curators International (ICI) and of the International Fine Print Dealers Association (IFPDA). A tireless teacher and mentor to NYU’s vibrant student and alumni bodies, Sandy speaks widely on curatorial practice, creative placemaking, and pedagogy in arts administration. She has also served previously as board member of the Association of Arts Administration Educators (AAAE) and as past president of both ArtTable and the Association of Professional Art Advisors (APAA).

Laura Busby (b. Winnipeg, Canada) currently resides in Brooklyn, New York where she is pursuing her master’s degree in Visual Arts Administration at New York University Steinhardt. She has diverse experience interning with art non-profits, including the College Art Association, the Whitney Museum of American Art in the chief curator’s office and will be joining Creative Time in the spring. During her studies, and following her graduation in 2012 from the University of British Columbia in Canada with a Bachelor of Arts in Art History, Visual Art & Theory, she worked as an educator and arts administrator at the Vanco uver Art Gallery for nearly seven years.

Olivia Knauss is a second-year master’s student in NYU’s Museum Studies Program with an interest in development and fundraising. Since starting her program in 2018, Knauss has interned in various development departments including the Tenement Museum, the Met, and, in the spring of 2020, the External Affairs Department at the MoMA. In addition to her museum work, she has also worked as CAA’s RAAMP Program Assistant. Before moving to New York City, Olivia worked at the Buffalo Center for Arts and Technology as a grant writer and Phillips Exeter Academy’s Lamont Gallery as a Collections Assistant & Archives Coordinator. She received her B.A. in Art & Art History from Rhodes College in Memphis, TN and is originally from Buffalo, NY.

To RSVP to this Coffee Gathering, please email Cali Buckley at cbuckley@collegeart.org.

Our Coffee Gatherings are hosted on Skype for Business. All participants who have RSVP’d will receive via email a link in advance to attend the session. Once you receive the link, you may join the conversation to test the Skype for Business application. Please use this same link when you are ready to join the scheduled date and time for the Coffee Gathering.

Please note the Coffee Gatherings are recorded and uploaded for future viewing.

We kindly request that you turn off your microphone during the conversation; however, you may keep your camera on if you wish.

Institution as Material|Recording and Resources

On Wednesday, August 14 at 2:00 PM (EST) our Coffee Gathering featured Nicola Lees, Director and Curator of 80WSE, a non-profit exhibition space for contemporary art located in Washington Square, New York, under the pedagogical wing of its parent organization, the Steinhardt School at New York University.

Nicola discussed the role artists have played as self-organizers, as either curators or presenters of their own art and art by others. She will also discuss the ways artists have unlearned, dis-invented, and deliberately misunderstood how works of art are circulated and displayed within institutional practice.

80WSE supports flexible, long-term engagements with artists, with a programmatic focus on intergenerational exchange, feminist, indigenous, and minoritarian perspectives, and artists whose complex practices have stood outside dominant narratives around contemporary art. Recent exhibitions include, Duane Linklater, Lyle Ashton Harris, Lutz Bacher, Dora Budor, Louise Lawler, Peter Gidal, Patricia L. Boyd and the group exhibitions ‘Dream of Solentiname’.

From 2012-2015 Nicola Lees was the Curator for Frieze Projects; leading the annual not-for-profit program featuring artist commissions, film, and music at Frieze London. In 2015, Lees was also curator of the 31st Biennial of Graphic Arts in Ljubljana. Lees was previously Senior Curator at the Serpentine Gallery (London), where she oversaw interdisciplinary, time-based and performance projects and artist commissions as well as Park Nights, initiating the Serpentine Cinema series, and the Serpentine Gallery Marathon (co-curated with Hans Ulrich Obrist) from 2008-2012. Lees has also curated exhibitions at Malmö Konsthall in 2015 as well as Left Pop Bringing it Home at the Second Moscow Biennale of Contemporary Art in 2007. At the Irish Museum of Modern Art she worked on key solo exhibitions by Alex Katz, Miroslaw Balka, Georgia O’Keefe, Nalini Malani and a group exhibition curated with Philippe Parreno. Nicola Lees (b. London) lives and works in New York.

 

RSVP for our next Coffee Gathering with NYU’s 80WSE on Institution as Material

Institution as Material

Wednesday, August 14 at 2:00 PM (EST

On Wednesday, August 14 at 2:00 PM (EST) we will be online with Nicola Lees, Director and Curator of 80WSE, a non-profit exhibition space for contemporary art located in Washington Square, New York, under the pedagogical wing of its parent organization, the Steinhardt School at New York University.

Nicola will discuss the role artists have played as self-organizers, as either curators or presenters of their own art and art by others. She will also discuss the ways artists have unlearned, dis-invented, and deliberately misunderstood how works of art are circulated and displayed within institutional practice.

80WSE supports flexible, long-term engagements with artists, with a programmatic focus on intergenerational exchange, feminist, indigenous, and minoritarian perspectives, and artists whose complex practices have stood outside dominant narratives around contemporary art. Recent exhibitions include, Duane Linklater, Lyle Ashton Harris, Lutz Bacher, Dora Budor, Louise Lawler, Peter Gidal, Patricia L. Boyd and the group exhibitions ‘Dream of Solentiname’.

From 2012-2015 Nicola Lees was the Curator for Frieze Projects; leading the annual not-for-profit program featuring artist commissions, film, and music at Frieze London. In 2015, Lees was also curator of the 31st Biennial of Graphic Arts in Ljubljana. Lees was previously Senior Curator at the Serpentine Gallery (London), where she oversaw interdisciplinary, time-based and performance projects and artist commissions as well as Park Nights, initiating the Serpentine Cinema series, and the Serpentine Gallery Marathon (co-curated with Hans Ulrich Obrist) from 2008-2012. Lees has also curated exhibitions at Malmö Konsthall in 2015 as well as Left Pop Bringing it Home at the Second Moscow Biennale of Contemporary Art in 2007. At the Irish Museum of Modern Art she worked on key solo exhibitions by Alex Katz, Miroslaw Balka, Georgia O’Keefe, Nalini Malani and a group exhibition curated with Philippe Parreno. Nicola Lees (b. London) lives and works in New York.

To RSVP to this Coffee Gathering, please contact Laura Busby at lbusby@collegeart.org

Our Coffee Gatherings are hosted on Skype for Business. Please download the application prior to participating. All participants who have RSVP’d will receive via email a link in advance to attend the session. Once you receive the link, you may join the conversation to test the application. Please use this same link when you are ready to join the scheduled date and time for the Coffee Gathering.

Please note the Coffee Gatherings are recorded and uploaded for future viewing.

We kindly request that you turn off your microphone during the conversation; however, you may keep your camera on if you wish.

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