Call for Papers: OnCurating, “Extreme”

CFP: OnCurating Issue: Extreme

Deadline: Oct 31, 2019

OnCurating Issue: “Extreme”

Please send proposals (max. 300 words) along with a short biographical note (max. 100 words) to Hadas Kedar:
Deadline for sending in proposals: Midnight, 31 October 2019.

“Extreme” is the title of an upcoming issue of OnCurating magazine. This issue is devoted to the exploration of curating, art and culture developed and produced in the extremities of the Earth, within severe societal, land and climate conditions. Among a wide range of topics falling under this heading, the issue will deal with art and culture of subjectivities that inhabit extreme terrains and the threat of cultural erasure under conditions of ongoing colonial rule.

Historically speaking, museums and cultural institutions have in a majority of cases based their initial collections on the cultural looting of colonies of Western empires. Up until this very day, cultural institutions based on the principles of collection and exhibition of objects continue to distribute art originating from subjectivities that are caught up in a colonial narrative. These subjectivities are many times interpellated to become characters in a colonial discourse that concentrates on the ‘the coloniser’ and ‘the colonised’.

Whether the subaltern, the indigenous, the climate migrant or the refugee—the notion of the ‘Other’ supports the linear narrative of colonialism. In a colonial narrative, each side submits to play a limited role. The feminine subject yields even more so to a restricted position. Both colonialism and the traditional family structure are based on patriarchal systems of power. According to Gayatri Chakravorty Spivak, the native informant(s)—a term that Spivak borrowed from ethnography—is a subject that is not allowed to represent herself but has to be represented. A subject denied her autobiography.

The postcolonial theorist Dipesh Chakrabarty believes that the potential of restitution resides in the margins of the globe. Chakrabarty proposes “provincializing” Europe by exploring the all-encompassing heritage of Western thought and how it “may be renewed from and for the margins.” The awareness of subjectivities living in the margins leads to an understanding of their reciprocal influences on and by the landscape.

According to the philosopher Timothy Morton, our idea of ecology is still deeply rooted in the romantic notion of ‘Nature’. We continue to exclude the effects of technology and industry on our environment. Morton argues that we have to rethink the concepts of ‘nature’ and ‘ecology’ in terms of co-habitation in order to co-exist with other humans and also non-humans or objects. According to Morton, we need to include radiation, smog, noise and chemical pollution in ‘nature’. As he notes: “It is very hard to get used to the idea that the catastrophe, far from being imminent, has already taken place.”

OnCurating invites proposals for written pieces by curators, curatorial teams, artists, art historians and writers for inclusion the issue that will launch in 2020. Contributions may include artwork, research and cultural analyses that discuss power relations on a theoretical level and provide the framework for future curatorial work. Contributions may react to man-induced climatic events; scarcity of resources in the extremities of the Earth; notions of settlement and belonging in the margins; collaborations and alliances between communities in the extremities; contemporary indigeneity; cultural erasure of an original population’s cultural heritage; the politics of waste; performing non-human rights; collaborations and alliances of feminine subjects in extreme societies in the extremities and more.

For this issue the ONCURATING journal will cooperate with the PhD in Practice in Curating, a programme based on a cooperation of the ZHdK and the University of Reading.

About ZHdK
The ZHdK is one of the leading art academies in Europe. The study and research program includes design, film, fine arts, music, dance, theater, transdisciplinarity and mediation. It belongs to the Zurich University of Applied Sciences ZFH and is a state university with its own legal personality.

University of Reading and ZHdK
The University of Reading is one of the high ranked universities of the UK. The Department of Art at the University of Reading in collaboration with the ZHdK is offering a new doctoral program for research in and as curatorial and/or artistic practice. The new PhD programme specializes in offering established curators, artists, art critics and designers from all disciplines the critical framework to focus on specific curatorial and cultural research topics in order to earn a Doctorate from the University of Reading through a combined theoretical and practical approach.

About PhD in Practice in Curating
Research Platform for Curatorial Studies, Practice-Based Doctoral Programme. A cooperation of the Department of Art at the University of Reading (UK) with the Postgraduate Programme in Curating at the Department of Cultural Analysis, Zurich University of the Arts ZHdK.

CFP: OnCurating Issue: Extreme. In:, Sep 7, 2019 (accessed Sep 12, 2019), <>.

CFP: The Museum Review

The Museum Review (TMR) is currently accepting submissions for publication on topics related to all aspects of museum practice.

Download (PDF, Unknown)

In an effort to respond to the most current issues and the ever-advancing industry, TMR publishes articles on a rolling basis and does not publish thematic issues.

All articles are free for all to read and there is no fee for authors to submit.
There is also a link to TMR’s volume for museum students and emerging professionals: The Museum Scholar.

If you have any questions, please reach out to Caitlin Wunderlich:
Managing Editor
The Museum Review


CFP: 5 Sessions at CAA (Chicago, 12-15 Feb 20)

College Art Association CAA2020 annual conference, Chicago, Illinois, USA, February 12 – 15, 2020

[1] Selling and buying anonymity
[2] What Can Art Say About Extinction?
[3] The Collector and Cultural Narratives
[4] The Image of the Female Artist
[5] Kitsch and Craft in the Middle Ages

Continue reading “CFP: 5 Sessions at CAA (Chicago, 12-15 Feb 20)”

CFP: ArCo 2020 (Florence, 28-29 May 20)

Subject: CFP: ArCo 2020 (Florence, 28-29 May 20)

Dipartimento di Architettura (DiDA) of the Florence University (UNIFI), Florence, May 28 – 29, 2020
Deadline: Sep 15, 2019

ArCo 2020, 1st International Conference on Art Collections (1stArCo): Cultural Heritage, Safety and Digital Innovation.

ArCo is an International Conference dedicated to innovative experiences in Museum and Art Collections.

The Artistic goods represent a priceless asset of our cultural capital, they play a crucial role in defining and understanding the identity of communities. Nevertheless, they are not always adequately protected against possible dangers and hazards or the time effects. In these last decades, new technologies – such as digital control, 3D reconstructions, etc. – have experienced great developments even in their application to art collections, increasing the monitoring activities, the safety checking, and their interface with the community. This Conference wishes to collect contributions from different areas for the preservation, the enhancement, and the protection of the art goods exhibited in the Museums.

Continue reading “CFP: ArCo 2020 (Florence, 28-29 May 20)”

Institutional Development with Rebecca Nagy

In this first segment of RAAMP’s video practica, Hunter O’Hanian, Executive Director at CAA, speaks with Rebecca Nagy, Director of the Harn Museum of Art, about the museum’s institutional advancement. In the interview, O’Hanian and Nagy discuss the museum’s tactics in attracting visitors from not only the University of Florida, but also the community at large. Nagy expresses the importance of fundraising and creating partnerships with the different colleges on campus and schools in the area. Nagy also gives advice on creating a fundraising program.

Professional Development Initiatives

In this installment of RAAMP’s video practicum, Eric Segal, Director of Education and Curator of Academic Programs at the Harn Museum of Art outlines the museum’s professional development initiatives for students. The museum offers a seasoned internship program and range of artist-in-residence opportunities to students studying a variety of disciplines.