CAA Ambassadors are representing the organization in New York and Chicago and giving presentations to their fellow classmates and students in nearby schools. Meet the inaugural class of ambassadors.
By any number of metrics, the arts and humanities are experiencing challenging times. In response to these challenges, some universities and colleges in the United States have cut programs, collapsed libraries, or shuttered entire departments. Over the past years, CAA has tracked these changes in higher education through the organization’s own research efforts and through narratives relayed directly from our members. These actions taken by administrations are in no way secret. In article after article, the alarm has been sounded. We believe there is a better way to resolve these issues and protect the arts and humanities at the same time.
To bridge this divide, CAA is pleased to release Guidelines for Addressing Proposed Substantive Changes to an art, Art History or Design Unit or Program at Colleges and Universities.
The University of Texas at Dallas (UTD) has received a gift of over 400 works of Swiss art from Dallas collectors Nona and Richard Barrett. Having begun there collection in the 1990s, according to the press release, “the Barretts have become the most knowledgeable American collectors of Swiss art of the past two generations.” The Barrett Collection will be housed in a new Barrett Museum to be built on campus. “We have benefited so much from our city of Dallas and are glad to have an opportunity to give something back. Our wish is for our collection to remain intact and have a permanent, public home in our own city as well as in Texas,” said Richard Barrett. (Hyperallergic)
Florida State University’s John & Mable Ringling Museum of Art in Sarasota has received a gift from Judith and Stephen Shank to endow a performance-art curatorial position that will now be named the Currie-Kohlmann Curator of Performance, in reference to the performance program’s co-founders, Dwight Currie and Michael Kohlmann.
The Ringling’s director, Stephen High said, “With the restoration and re-opening of the theater in 2006, we renewed and re-energized our commitment to a program of innovative and ground-breaking performance. Steve and Judy’s visionary gift will ensure that the Ringling remains a world-class center for performance programming in perpetuity.” (ARTnews)
The weekly CAA Conversations Podcast continues the vibrant discussions initiated at our Annual Conference. Listen in each week as educators explore arts and pedagogy, tackling everything from the day-to-day grind to the big, universal questions of the field.
Elizabeth Guffey, Matt Ferranto, and Rebecca Mushtare discuss “Bringing Access to Design Practice: Teaching Inclusion in the 21st Century.”
Elizabeth Guffey is Professor of Art & Design History, State University of New York at Purchase.
Matt Ferranto is Associate Professor of Design, Westchester Community College.
Rebecca Mushtare is Associate Professor of Graphic Design, State University of New York at Oswego.
Are you someone who is:
- A relationship builder who forges strong partnerships across a variety of audiences and stakeholders?
- Experienced in creating arts and civic learning opportunities and programs with a focus on youth?
- An excellent communicator with strong writing and presentation skills?
If so, then the Museum of Contemporary Art Chicago is looking for you! Continue reading “Associate Director of Learning: Museum of Contemporary Art Chicago”
“The Un-Heroic Act: Representations of Rape in Contemporary Women’s Art in the U.S.” features a diverse range of artists addressing depictions of sexual violence in the history of art, and the psychological implications for the women involved. The Anya and Andrew Shiva Gallery is the primary fine art gallery at John Jay College of Criminal Justice, City University of New York, in Midtown Manhattan, New York City. (The New York Times)
Luke Syson, chairman of European sculpture and decorative arts at the Metropolitan Museum of Art since 2012, has been appointed director of the Fitzwilliam Museum at the University of Cambridge beginning early next year. Syson’s main tasks will include leading and fundraising for the Fitzwilliam’s Museum Masterplan, a major capital development project to improve facilities over the next 15 years. The ambitious scheme will include more galleries and a dedicated temporary exhibition space. (The Art Newspaper)
In 2012, Moscow’s Garage Museum of Contemporary Art began building an archive on the history of Russian contemporary art, which currently holds the world’s largest collection of materials on Soviet and Russian art of the postwar era. The museum is now working with the Zimmerli Art Museum at Rutgers University in New Jersey to digitize the Moscow Archive of New Art (MANI), a collection of “poetry, theory, and artworks produced in the Soviet Union between 1980 and 1982.”
Garage’s decision to digitize the collection is part of its larger Russian Art Archive Network (RAAN) project, an online catalogue of documents on the history of Russian contemporary art from the collections of Garage and partner institutions. (ARTnews)